We're a boutique cinematic house. The core is documentary-led film — feature-length documentaries, cultural and branded films, and private commissions. Around it we make fixed-scope brand and recruitment video, multi-camera live coverage of concerts and cultural events, and editorial photography that runs alongside a shoot. If it needs a director's eye and a clean file at the end, it's in scope.

Yes. We're based in Poland and we travel for shoots — across Poland, into Germany and the wider EU, and further when a project calls for it. Travel, logistics, and any location permits are scoped per project so there are no surprises on the invoice.

Included. A commission comes with the crew, camera, lighting, and audio the brief needs — we right-size the team to the work rather than padding it. For larger productions we bring in trusted specialists we've worked with before. You hire one accountable house, not a stack of separate vendors.

Both work. We can shoot to clean, labelled, hand-off-ready files if you have your own post team, or carry the project all the way through edit, colour, sound, and delivery. Stills alongside a film shoot are a common add-on — one crew, one day, two deliverable sets. Tell us which lane you need and we scope from there.

There's no price grid, because no two commissions are the same. We scope every project on a call — the number depends on shoot days, locations, crew, languages, and finishing. Send a short brief and we come back with a real floor, a real timeline, and the next practical step.

It depends on the lane. Fixed-scope Video Essentials move fastest; a feature-length documentary runs across weeks of edit, colour, and sound. We won't quote a flat number here because honest timelines come from the brief, not a webpage — but you'll get a firm delivery date in writing before we start, and we hold to it.

Culture, public institutions, foundations, family firms, and brands that care how they sound on camera. Our public work includes productions for and with cultural broadcasters, foundations, festivals, and public bodies. We're equally at home on a documentary set, a foundation board screening, a recruitment film, or a multi-camera concert.

Usage rights are written into the agreement before we shoot, so there's never an awkward conversation afterwards. Most commissions hand you the rights you need for the channels you named in the brief; broadcast, paid-media, or fully exclusive buy-outs are scoped explicitly. Private commissions stay private by design. You'll always know exactly what you can do with the final files.

Yes — Polish, English, and German are native to the house, and we plan the language versions in pre-production rather than retrofitting them later. Additional language stems are scoped per project. If a film needs to land the same way in three markets, that's built into the edit from the start, not bolted on at the end.